Writing In Living Color And Two New Lists

By Sharla Rae

I’m sharing not one list today, but two. The first one covers shades of the basic color spectrum. The second deals with adjectives describing color and the possible “conditions” of color, that is, how it’s used. But Writing in living color is more than just knowing and choosing color descriptions. It’s showing the reader the story in living color even when “no” colors are mentioned.

Here’s how Laura Drake did it in her book, The Sweet Spot.  In this excerpt, the focus is not on the color but the “entire” picture the character Belle presents. Only three basic colors are used. Remove the color terms and the reader would still see this scene in living color.

At the end stood a woman perusing a dog-eared catalog – a woman Char had never met, but recognized from the gossip. This was that new Yankee that moved in a few months back.  Just where do you go to get an outfit like that? Red shortie cowgirl boots, a lacy black square-dance miniskirt puffed with petticoats, a white bustier cut down to there, and a black lace bolero jacket. Char swallowed, attempting to focus on the woman’s features. A nimbus of black curls overwhelmed her deathly pale, sharp-boned foxy face. Huge dream-catcher earrings bobbedwith her every move. She looks like Dolly Parton gone Goth. 

If we watched this scene on an old black and white TV, we’d still see that Belle’s getup is extraordinary. But in this written scene we have an added advantage: She looks like Dolly Parton gone Goth. This is a descriptor that is immediately familiar to the reader. Who needs color names with this statement? Dolly Parton “is” the color.

Using color terms however, can be very useful. Color contributes texture and perspective by showing without telling.

Here’s an exaggerated example:

Black & white Movie: The scene opens inside a bedroom. It appears to be just a garden-variety bedroom.
Color Movie: Red velvet drapes at the windows, and bright purple upholstered furniture decorates the room. This is no ordinary bedroom and the person who decorated is probably out of the norm too.

Black and White Movie: A woman dressed in an ordinary business suit walks into the room. Again, nothing appears out of the ordinary.
Color Movie: The woman’s cheeks are too red, her suit is gaudy purple (not black) with flaming red trim.

Color gives a different perspective, showing a peek into the character’s personality by using the colors.

Colors aid with scene setting by adding tone and drama, whether it’s the gloom and doom of a storm, a cheerful summer day, a bustling city, or an old Victorian parlor.

This excerpt is from Lyn Horner’s novella, White Witchon the night of the Great Chicago Fire

Bright sheets of fire flapped in the air, frighteningly beautiful in hues of orange, gold and angry red. Flung out by the murderous blaze, burning debris scattered hither and yon, a threat Jessie constantly fought, using a blanket to smother cinders that fell on the wagon.

In the Lyn’s excerpt, I especially like her verb choices of sheets “flapping” in the air and debris being “flung” and “scattered.” Adding the color here gives a bigger than life living color scene but even without the names of the colors, this scene is very colorful. And you can’t argue the drama!

Colors might also reflect drastic contrasts. It’s the old “appearances can be deceiving” rule.

We could use the above excerpt from Laura’s book as a contrast. The heroine, Char spies the woman named Bella in this scene and is shocked by her appearance. But what Char doesn’t know yet, is that the woman on the outside is very different from the woman on the inside.  Contrast.

A generic example:

Jennifer closed up Corrine’s dusty little antique shop, and rode a rickety elevator to the old woman’s apartment. The elevator jolted to banging halt at the second floor. The door clanked open into a tiny vestibule hosting wide, bright white double doors with shiny brass handles.
Using the key Corrine had given her, Jennifer opened it, stepped over the threshold and stopped dead.  Vaulted ceilings and a variegated Berber carpet of white and black transformed the warehouse space into a grand open-spaced condo. A huge abstract painting in scarlet, neon blue and jungle green splashed one of the stark white walls where it hung over a licorice-black sectional.
     Good Lord, where were the antiques?  The dollies? The dust?

There are many ways to convey color and it’s not necessary to tell readers what they already know.  We know grass is green or that the sky is blue.

Of course, there are times when a familiar normal isn’t normal. It’s often just as affective to use character actions and one of the other five senses to show colors.    

Example: The following is perfectly correct: Dry brown grass crunched beneath her feet.
But we could also write: Dry grass crunched under her feet.

We are “familiar” with the fact that healthy green grass doesn’t crunch. We know if the grass is dry and crunchy, it’s dead and familiarity tells us it’s most likely brown. There’s no need to tell the reader the grass is brown. For that matter, we might dispense with the word dry. Only dry grass would crunch.

In Margie Lawson’s blog, Ax Your Clichés: Why and How, we learned to put a twist on cliché descriptions and use more powerful constructions to show character emotions and story tone. The same rules apply with color.

Cliché terms like lobster red, strawberry blond, sky blue, and grass green are boring.  These descriptions don’t really add texture, tone, contrast or drama. They just are.  Sometimes simple is better.The hair is blond; the day is gray etc.  But whenever possible, make colors work harder by showing.

Find new ways of expressing color but don’t make the mistake of using color terms readers have to research. Some examples: Brunswick (a green), Gamboge (tree known for yellow brown resin), Falu Red (a deep red) Ferruginous (rusty iron color) At The Phrontistery you’ll find a few more of these obscure color terms.

As long as clichés are avoided, using common objects, foods, places, animals or even people [Dolly Parton] to describe color is effective.

Below are a few examples but don’t be afraid to make up your own. Mention any of the terms in the list below and a reader automatically knows what color you’re talking about.

Char Color Blog 1

Writers can create color names that by themselves don’t sound like colors at all.  Let’s take an imaginary trip to any cosmetic counter. We’ll spy color names that have nothing to do with the actual shades of blush, eye shadow or lipstick. What these color names attempt to do instead, is evoke an emotion that appeals to the female buyer– because after all the buyer is buying dreams of beauty, looking sexy, professional or looking like the-girl-next-door.

Any of the colors listed below could prefix almost any cosmetic color or even the color of attire, and we’d totally understand the emotion or mindset the color represented.

Bella Bamba
Crazy For Chic
Dove’s wing
Dusky Nights
First Blush
Glam Girl
Midnight Rendezvous
Naked
Party Girl
Passion’s Kiss
Radiant Kiss
Ra-ra Blue
Riviera Rose Satin
Shy blush
Trend Setter
Virgin Pink
Viva Las Vegas
You Jealous?

Can you make up some names for colors that evoke an emotion? I played around with a few ideas below. Keep in mind that it’s often the “connotation” of the descriptive that counts. What emotions do you associate with some of the following color descriptors?

Pepto-Bismol – Sickening, distasteful.
Jonquil – cheerful, perky
The color of sin – Probably black, meaning sexy or evil
Cocoa – warm & comfortable
Marshmallow – cheery, easygoing person
Moldy (black or green) – the blek factor
Morning mauve – promising, cheerful, relaxing, soft
Pearl – might project wealth, purity
Rabid … – this could prefix almost any color and give it distasteful connotation.
Quaker gray – prim and proper
Rosy  – health, beauty
Stone – cold and hard to read
Sterile – cold, chrome and steel

Below is a list of color names/descriptors. The list is long so I tried to eliminate over used terms and obvious clichés. The second list of terms describes the conditions or state of color.

REDS

Char Color Red

ORANGES

 Char Color Orange

PINKS

Char Color Pink

BLUES

Char Color Blues

PURPLES

Char Color Purples

YELLOWS

Char Color Yellow

GREENS

Char Color Greens

BROWNS & TANS

Char Color Browns

BLACKS

Char Color Blacks

GRAY

Char Color Grays

WHITE

Char Color Whites

Adjectives Describing the State of Any Color

Ablaze

Achromatic – absence of color

Bespangled
Bleached
Blotch
Bold
Brilliance
Checks
Chromatic
Clashing
Colorless
Cool
Dapple
Delicate
Dichromatic – having two colors or varied colors in 2 directions
Discolored
Dotted
Dusky
Dusty
Dye
Fiery
Flamboyant
Fluorescent
Garish
Gaudy
Glaze
Gloss
Glowing
Harmony
Homo chromatic – one color hue
Intensity
Iridescence
Jazzy
Kaleidoscope
Marbleized
Medley
Monochromatic-one color
MosaicMottled – spotted, smeared, freckled
Multicolor
Muted
Neutral
Nuance – shade, hint, tinge, degree of
Opalescent
Paint
Pastel
Patchwork
Pied – colors in blotches, varicolored
Pigmentation
Plaid
Polk-a-dot
Polychromatic – variety of color
Primary
Prism rainbow
Psychedelic
Scheme
Shade
Sober
Spackle
Speckles
Spectrum
Splotch
Spotty
Stain
Stellular-star-like spots
Streak
Stripped
Subtle – delicate, slight
Tarnish – dull, discolored, stain
Tartan – plaid, pattern, checked
Tempera
Tinge
Tint
Tone
Trichroic – showing colors in three directions, varicolored
Two-toned
Variegation
Vibrant
Washed-out

Resources and links:

So, how do you work color into the texture of your writing?

About Sharla

Sharla RaeSharla has published three historical romance novels: SONG OF THE WILLOW, LOVE AND FORTUNE, and SILVER CARESS. SONG OF THE WILLOW, her first solo effort, was nominated by “Romantic Times Magazine” for best first historical.

When she’s not writing and researching ways to bedevil her book characters, Sharla enjoys collecting authentically costumed dolls from all over the world, traveling (to seek more dolls!), and reading tons of books. You can find Sharla here at Writers In The Storm or on Twitter at @SharlaWrites.

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43 Responses to Writing In Living Color And Two New Lists

  1. Laura Drake says:

    Wow,, Sharla, this one is a keeper, from beginning to end! And thank you – I didn’t realize you were going to use an excerpt from my book! 🙂

  2. Wendy Kelly says:

    This is such a valuable resource! And, I have to say, as an art teacher I had no idea what Gamboge or Falu red were!

  3. Echoing Laura, Sharla.

    This is a keeper. It’s going into my Nifty News folder. That’s where I store the blogs or emails that might motivate my morning molasses brain synapses.

    Laura, I loved that description in The Sweet Spot. You breathed life into Belle with that introduction. And, I love the role she played.

    p.s. to Sharla: Thank you! My brain went canned asparagus green when you said you had two lists for us. I thought you planned to make us write two lists today. Phew!

  4. You never fail to amaze, Sharla. It would do any of us well to keep a separate file of your posts and refer to them often … you’re more descriptive than the Thesaurus and a lot more fun to read:)

  5. Sharla Rae says:

    You make be blush. This wasn’t an easy blog to write because when sat down to write it, I realized that writing in living color was more about just plain good writing all the way round.

  6. jbiggar2013 says:

    Reblogged this on jbiggarblog and commented:
    a very helpful chart of colors

  7. texasdruids says:

    Sharla, your lists are the best! You really need to put them together in a book. I think it would appeal to authors everywhere.

    Thanks for including the excerpt from White Witch!

  8. Sharla, I’ve already got color and texture lists all over the place, but these are great. Definitely keepers.
    Liked and shared.

    • Sharla Rae says:

      Mairi, Glad you like the list. It’s fun to gather lists and keep adding to the ones you have. I get jealous of some of the great lists I’ve seen.🙂

  9. texasdruids says:

    Reblogged this on Lyn Horner and commented:
    Terrific lists for authors! And, an excerpt from White Witch is used to illustrate. Many thanks to Sharla Rae!

  10. Great post, but you’ve just given me more work; vetting your suggestions for the Regency era where even midnight blue is anachronistic. Shared on FB, reblogged, and will tweet when I’m out of the corner.

  11. GREAT resources, Sharla. Thanks so much.

  12. Sharla Rae says:

    Shauna, thanks for stopping by!

  13. Pingback: How to Use Color More Effectively | Daphodill's Garden

  14. Rita says:

    Thank you for this great resource. As an aspiring writer, I’ve always been taught not to use adjectives, but I believe they have their place, especially in the romance genre. Your post demonstrates how much richer our stories will be by using descriptive colors, which are in fact adjectives.

    • Sharla Rae says:

      Adjectives have never bothered me. Some over use ly adverbs when choosing better verbs would be better but I don’t think anyone can “show” in a novel without adjectives. It’s like being on diet. You eat what you want but do so with discretion.🙂

  15. Ditto @ramblingsfromtheleft’s comment. Your posts are fabulous. You saved my editing life with your list of echo words. Now this. I’m a fan.

  16. Penelope J says:

    Excellent tips and insights. List is priceless.

  17. Sharla Rae says:

    Oh Carol, you just made my day! Thanks so much for stopping by today.

  18. Loved it! Are there more lists like this in older posts? Someone mentioned a “textures” list?

  19. Sharla Rae says:

    At the moment I have no list on textures. That was mentioned by another commenter. But I do have lists on the all the senses that I’ll be using at some point for blogs. The other lists that you’ll find at WITS are on forests, waterways, Spooky words, Sensual Words etc. Use the “search” on the tool bar on the right side of this blog page to find them.🙂

  20. gpeynon says:

    Wow. That really is a lot of colours. Great post, thanks.

  21. Reblogged this on heatherzhutchinswrites and commented:
    Here’s an ode to color in all her glory. Your descriptions will now GLOW!

  22. Mary Roya says:

    Great article. This is going into my file for future review and reference. Thank you.

  23. Wow, Sharla, that isn’t a blog post, it’s a workshop handout! Thanks for the wonderfully useful information.

  24. Sharla Rae says:

    Your welcome and thank you for joining us today.

  25. Sherri Valentine says:

    Sharla,
    I’ve been collecting color names for years, but your lists as so much more comprehensive.
    Thank you SO much!

  26. Al DeFilippo says:

    What about ruddle for the reds category. Great post. Thank you.

  27. I love the list of colors that you have collected, and how you very generously gave to us interested in writing. However, if I may, just know that everywhere there is infinity! I got this idea about a year ago and thought on about possible phenomena to test the idea. Colors are infinite when we take the primary colors (no allusion intended), and we begin to mix. Same holds true for music and the combination of notes, chords, melodies, etc. Same holds true for language. Have you heard of the principal of addition and moving from the general to the specific (Francis and Bonnie Jean Christianson)? Theoretically, you can add another adjective in front of that noun ad infintum; you can add clauses upon clauses to write forever if that were practical. Just like numbers, we can add another word to always increase the work, and with that increase the specificity about that which we are writing. This may help students with writer’s block or those lacking the ability to increase development of a work by helping them see the infinite powers of addition when applied to languages/composition.

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