We interrupt our regularly scheduled blog for an announcement: Amy Hahn was the lucky commenter who won a copy of Judy Duarte’s new novel, Christmas on Nutcracker Court! Congrats Amy!
Here’s our own Jenny Hansen, starting a new series on critique groups.
In my everyday life I’m a training coordinator for an accounting firm, focused on building the skills of my team so that they can do productive work. I’ve noticed through the years that there’s tons of similarity between my training life and my writing life.
Case in point: I’m an avid Leadership Freak follower and I get loads of great advice from his blog to pass on to my team. Below is my “writing take” on a post he did back in August called 10 Power Tips That Build Potential.
Dan Rockwell (aka@Leadershipfreak) believes that people are at the center of everything, and so do I. I’ve talked about this before but, as a writer, surrounding yourself with a great team is imperative to your success. This journey’s just too hard to make a go of it all by yourself.
A large part of my team is my critique group, which is made up of the founding members of Writers In The Storm – D.A. Watt, Fae Rowen, Laura Drake and Sharla Rae. I don’t know what I’d do without these ladies, and certainly my writing wouldn’t be where it’s at without their help.
Some people have asked me what makes a great critique group. Sharla Rae has been on the critique group track longer than I have so I’ll let her answer that in her upcoming post. I want to focus on how to give and receive feedback in a way that’s constructive and nourishes the insecure artist inside of every writer.
I didn’t make many changes to Leadership Freak’s 10 Tips…writing is a business after all.
10 Power-tips that build a writer’s potential:
1. Always believe in your critique partner. If you believe in them,, they’ll believe in themselves.
2. Put them under moderate levels of stress.
Don’t protect your critique partner from pressure. If their plot doesn’t make sense or they’d get more mileage from a scene by changing POV, you have to tell them. It is the nicest thing you can do for them.
3. Support them when they are challenged by honoring their energy and efforts. As their critique partner it’s your job to help them over that 80th rejection by assuring them that submission 81 might be the one resulting in a sale.
4. Provide resources; but remember too many resources stifle creativity.
This means loan them your craft books, plot with them, critique their work. Then send them off to work their magic alone.
5. Focus on their strengths not their weaknesses.
Don’t get sucked into what you wish your critique partner could do. If they keep writing, they’ll be able to do it someday Take their weaker scenes and do your best to help smooth them.
Ex: I can’t write transitions between scenes well – if the gals didn’t give me that one sentence here and there, I’d probably cry with frustration (cause I’d never get out of that scene…NEVER!)
6. Engage them in the process of setting goals and creating vision.
It’s good to get together at least once a year and set goals and plot out projects. If your critique partners don’t want to do this themselves, ask them to still do it with you. At the very least, ask them to help you review your goals for challenges like ROW80 or the Life List Club…they’ll tell you if you’ve taken on too much.
7. Give them opportunities when they are ready; 80% ready is ready enough.
I’m famous in our critique group for being a little, um…forward. When we are at events like conferences or meetings with editors or agents who are taking pitches, I’ve been known to sell a critique partner right into the pitching session. They don’t always thank me, but no one has killed me yet.
8. Expose them to others who are doing what they could do.
If you know your critique partner would love to write mysteries, pass on the information for workshops that you passed over for yourself “because you don’t write that.” Ditto for the experts in your life like the cousin on the police force or the great-aunt who raises Thoroughbred horses. You know people in your life that are subject matter experts. Refer these people to your fellow writers when the occasion arises.
9. Shorten the time-line for completing projects.
Adhere to deadlines within your critique group, the same as you would with your regular day job projects. Since a piece of fiction is never “finished,” as writers we have to learn how to let go when it is “good enough” and move on to the next project. Setting deadlines can help make this letting go process easier.
10. Help your critique partners press through excuses.
Work, school, kids, illness. There are a million reasons we can think of not to write. Some are valid (for a while) and some are not. It’s up to your critique people to remind you of the one really big reason to finish your writing projects. If you want to be published, you must write. And revise. And submit. The End.
Everything else is just window dressing.
A word on pain:
Young and emerging
leaders writers will rise to the point of pain. As a writer with some talent and perseverance, the simple equation of butt-in-chair and writing practice is often enough to let a writer write a good book. Progressing from “average writer” to the “remarkable writer” we all yearn to be takes passion, conviction, vision, persistence, and courage.
Your critique partners should be there with a word of comfort or a kick in the pants, AND the 10 Hot Tips above, to help you break through to the other side.
How do you handle the critique process? Do you have a critique group? Tell us about them and what tips you’ve found to get the most out of the process.
Jenny fills her nights with humor: writing memoir, women’s fiction, chick lit, short stories (and chasing after the newly walking Baby Girl). By day, she provides training and social media marketing for an accounting firm. After 15 years as a corporate software trainer, she’s digging this sit down and write thing. When she’s not here at WITS, Jenny can be found on Twitter at jhansenwrites and at her other blog, More Cowbell.